Death Can’t Take a Joke (The Friday Project, 2014) by Anya Lipska
The second Kiszka and Kershaw crime thriller. When masked men brutally stab one of his closest friends to death, Janusz Kiszka – fixer to East London’s Poles – must dig deep into London’s criminal underbelly to track down the killers and deliver justice. Shadowing a beautiful Ukrainian girl he believes could solve the mystery, Kiszka soon finds himself skating dangerously close to her ruthless ‘businessman’ boyfriend. Meanwhile, his old nemesis, rookie police detective Natalie Kershaw is struggling to identify a mystery suicide, a Pole who jumped off the top of Canary Wharf Tower. But all is not what it seems…
Sparks fly as Kiszka and Kershaw’s paths cross for a second time, but they must call a truce when their separate investigations call for a journey to Poland’s wintry eastern borders…
The Facts of Life and Death (Bantam Press, 2014) by Belinda Bauer
Call your mother.’
‘What do I say?’
This is how it begins.
Lone women terrorised and their helpless families forced to watch – in a sick game where only one player knows the rules. And when those rules change, the new game is Murder.
Living with her parents in the dank beach community of Limeburn, ten-year-old Ruby Trick has her own fears. Bullies on the school bus, the forest crowding her house into the sea, and the threat of divorce.
Helping her Daddy to catch the killer might be the key to keeping him close.
As long as the killer doesn’t catch her first…
The Murder of Harriet Krohn (Harvill Secker, 2014) by Karin Fossum
A brilliant why-dunit from Norway’s ‘Queen of Crime’
Charlo Torp has problems.
He’s grieving for his late wife, he’s lost his job, and gambling debts have alienated him from his teenage daughter. Desperate, his solution is to rob an elderly woman of her money and silverware. But Harriet Krohn fights back, and Charlo loses control.
Wracked with guilt, Charlo attempts to rebuild his life. But the police are catching up with him, and Inspector Konrad Sejer has never lost a case yet.
Told through the eyes of a killer, The Murder of Harriet Krohn poses the question: how far would you go to turn your life around, and could you live with yourself afterwards?