Day: June 14, 2016

The Continental Op

Ever heard of a writer named Carroll John Daly, or a character named Terry Mack?  Most people haven’t, but Daly’s “Three Gun Terry” is generally recognized as the very first hard-boiled detective story.  Debuting in the pulp pages of Black Mask in May 1923, Terry Mack was more cartoon than believable character. Using any or all of his three pistols, Terry never hesitated to blow away anyone who crossed him.  Oddly enough, this psychotic behavior never seemed to have any legal consequences.

A few months later, in the October 1, 1923 issue, readers of Black Mask were introduced to a different kind of private detective: far from the ultramacho antics of Terry Mack, this detective was short, plump and middle aged, and was more interested in gathering clues than keeping the bullet manufacturers in business.  The story was called “Arson Plus,” and was written by a fellow calling himself Peter Collinson. In reality “Collinson” was Dashiell Hammett, former operative of the Pinkerton National Detective Agency.  The character was an instant hit, and soon Hammett began writing under his own name.  

The fat little detective’s true name name was never revealed; sometimes referred to as “The Continental Detective,” or “The Man from Continental,” the moniker that finally stuck was “The Continental Op” (short for operative).

The Op had no personal stake in his cases; he investigated for one reason only:  he’d been hired to, and he wanted to give the clients their money’s worth.  

Between 1923 and 1930 there were 36 Continental Op stories published, almost all in Black Mask. Four of these stories were combined and reworked to become Hammett’s first hardback novel, Red Harvest. Four others were retooled to become The Dain Curse, Hammett’s next novel.  Since these eight stories have never been reprinted in their original form, it would probably be more accurate to say that there are 28 stories and two full-length novels. (Source: The Dashiell Hammett Website)

Other essential links about the Continental Op are:

The Continental Op at The Thrilling Detective Web Site 

The Continental Op Page

In Spanish Leer sin Prisa here also provides a list of The Continental Op short stories

Any information about other websites on the subject not listed above, will be appreciated,

Just Added to My TBR Pile

I could not resist the temptation and has just added to my TBR pile Bird in a Cage by Frédéric Dard (Pushkin Press, 2016) Translated from the French by David Bellos.

Bird-in-a-Cage-cover Pushkin Press publicity page reads:

Bird in a Cage, a deadly tale of deceit set in ’60’s Paris, and our first title from master of French noir Frédéric Dard, is out now. Heralded as the new Georges Simenon, we thought it was about time you got to know Dard a little better….

Frédéric Dard was one of France’s most prolific and popular post-war writers. He wrote, at least, an astonishing 284 thrillers over his career, selling more than 200 million copies in France alone. The actual number of titles Frédéric Dard authored is under dispute, due to the many aliases he wrote under, some officially acknowledged (such as the wonderful Cornel Milk) others not (Severino Standeley, for example).

Dard was greatly influenced by the great Georges Simenon. The two entered into a correspondence when Dard was just 16 years old. A mutual respect developed between the two, and eventually Simenon agreed to let Dard adapt one of his books for the stage in 1953.

Dard’s most famous creation was San-Antonio, a James Bond-esque French secret agent, whose enormously popular adventures appeared under the San-Antonio pen name between 1949 and 2001.

One of the most dramatic episodes in Dard’s life came in 1983, when his daughter was kidnapped and held prisoner for 55 hours before being ransomed back to him for two million francs. He admitted afterwards that the experience traumatised him for ever, but he nonetheless used it as material for one of his later novels. This was typical of Dard who drew heavily on his own life to fuel his extraordinary output of three-to-five novels every year. In fact, when contemplating his own death, Dard said his one regret was that he would not be able to write about it.

I’ve heard about it first at The Economist article Frédéric Dard, a master of French Noir by Boyd Tonkin, here.

Bird in a Cage by Frédéric Dard  review at The Complete Review, here.