Review: The Maltese Falcon (1930) by Dashiell Hammett


Esta entrada es bilingüe, para ver la versión en castellano desplazarse hacia abajo

This entry is my third contribution to Crimes of the Century a meme at Past Offences. This month the year under review is #1930.

The Murder Room;, 2014. Format: Kindle edition. File size: 1026 KB. Print length: 226 pages. First serialised in Black Mask, between September 1929 and January 1930. The hardback edition became available in February 1930. ASIN: B00N20V112. ISBN: 978 1 4719 1768 4.

isbn9780752865331Synopsis: Sam Spade is hired by the fragrant Miss Wonderly to track down her sister, who has eloped with a louse called Floyd Thursby. But Miss Wonderly is in fact the beautiful and treacherous Brigid O’Shaughnessy, and when Spade’s partner Miles Archer is shot while on Thursby’s trail, Spade finds himself both hunter and hunted: can he track down the jewel-encrusted bird, a treasure worth killing for, before the Fat Man finds him?

My take: An attractive young lady, who identifies herself as Wonderly arrives at Spade & Archer, a detective agency at San Francisco. She wants to find out the whereabouts of her sister, five years her junior. She fled from New York with a fellow named Floyd Thursby. Now they are in San Francisco. He’s a married man. Miss Wonderly wants to find her and return back home before her parents may realise what happened. It seems a straightforward issue, though Sam Spade doesn’t believe a single word of what she’s telling him. Miss Wonderly has a date tonight with Thursby, what may provide them an opportunity of following him so that he can lead them till her sister. Miles Archer, Sam Spade’s partner, has volunteered to perform the tracking. But that same night Spade receives a phone call. Archer has been found dead by a point-blank shot. Shortly after, Thursby dies after being shot in front of his hotel. The police suspect that Thursby, killed Archer and that Spade shot Thursby out of revenge. The situation worsens when it is discovered that Spade was having an affair with Iva, Archer’s wife. But, finally, Spade’s doubts are confirmed when Wonderly confides him her true identity. She’s really Brigid O’Shaughnessy. At this point, the action acquires a dizzy pace and Sam Spade, Brigid O’Shaughnessy, Joel Cairo –an effeminate Greek, sometimes named the Levantine, and Casper Gutman –a Fat Man often accompanied by a bully youngster called Wilmer Cook, end up trying to trace an ancient statuette extremely valuable, shaped like a falcon that gives its title to the novel, The Maltese Falcon.

Some times I wonder myself why I waited so long to read this book? And I have no answer. Perhaps, it didn’t help me having seen the film so many times. A superb film, incidentally, directed by John Huston in 1941 and starring Humphrey Bogart, Mary Astor, Gladys George, Peter Lorre, Sydney Greenstreet and Elisha Cook Jr. In any case, the novel has met or even exceeded, all my expectations. It’s, undoubtedly, a true masterpiece. The story is just great and is very well told. The pace is well chosen and the characterisation is excellent. It’s probably one of the best crime fiction books ever written. It is certainly not the first hard-boiled novel, but it served to lay the rules by which all the subsequent novels will be judged. Hammett’s style is completely innovative, and I would like to suggest reading the following article: Characterization Through Description in Dashiell Hammett’s The Maltese Falcon, 1930. Hammett is also singular in using new words and expressions, which  makes it difficult to translate.  In this regard, I would recommend reading Getting away with murder: The Maltese Falcon’s specialized homosexual slang gunned down in translation by Daniel Linder, here.

My rating: A+ (Don’t delay, get your hands on a copy of this book)

Dashiell Hammett (1894-1961) was born in Maryland and worked in a number of menial jobs until he became an operative for the Pinkerton Detective Agency. His experiences as private detective served him well to develop his writing career. His work includes Red Harvest, The Maltese Falcon, The Glass Key, The Thin Man and some eighty short stories, mostly published in Black Mask magazine. For the film version you may check out here my film notes; The Maltese Falcon entry at the American Film Institute, AFI, is here; and the Wikipedia page here

What others have said: The whole book had the feel of a good play – tight, closed sets with a handful of well-drawn characters in each scene that riff off each other through verbal sparring, violence and seduction, with plenty of melodrama and tension, and the story twisting and turning as it works its way to a satisfying conclusion. (The View from the Blue House).

Wonderful stuff, not as complex as The Glass Key, nor as funny as The Thin Man, but a great book to read.(Past Offences)

You’re an angel. I’ll wait for you.” He cleared his throat. “If they hang you I’ll always remember you.”

Does he mean it? Who knows. It’s hard to say with Sam Spade as we are not privy to his thoughts. None of the characters thoughts are shared. We are only left with facial expressions and conversations. Despite my complaints about the pacing, I enjoyed the story very much. There weren’t many shocks or surprises. While reading, my mind would conjure up Bogart as Spade and I’ve never seen the movie. With lines like the one above and plenty of others, it definitely makes me want to read more Hammett. (Yet Another Crime Fiction Blog)

…I love The Maltese Falcon, that it induces just as chilling an effect in the reader as doesThe Glass Key, and that I regard it as at least as great a book. (I’d also suggest that The Maltese Falcon‘s greatness is so universally acknowledged that the novel may simply be taken for granted in discussions of the best crime novel ever.) (Detectives Beyond Borders)

The Orion Publishing Group publicity page

Black Lizard publicity page

The Dashiell Hammett website

Dashiell Hammet at The Thrilling Detective Web Site

Let’s talk about the black bird by J. Kingston Pierce

El halcón maltés de Dashiell Hammett

Sinopsis: Sam Spade es contratado por la fragante Miss Wonderly para localizar a su hermana, que se ha fugado con un canalla llamado Floyd Thursby. Pero Miss Wonderly es, de hecho, la hermosa y traicionera Brigid O’Shaughnessy, y cuando el socio de Spade Miles Archer recibe un disparo, mientras sigue el rastro de Thursby, Spade se convierte tanto en cazador como en cazado: ¿Podrá localizar al pájaro incrustado de joyas, un tesoro por el que vale la pena matar, antes de que lo encuentre el hombre gordo?

Mi opinión: Una mujer joven y atractiva, que se identifica como Wonderly llega a Spade & Archer, una agencia de detectives de San Francisco. Quiere averiguar el paradero de su hermana, cinco años menor que ella. Ella huyó de Nueva York con un tipo llamado Floyd Thursby. Ahora están en San Francisco. Él es un hombre casado. La señorita Wonderly quiere encontrarla y volver a casa antes de que sus padres se den cuenta de lo que pasó. Parece un asunto sencillo, aunque Sam Spade no cree una sola palabra de lo que le está diciendo. La señorita Wonderly tiene una cita esta noche con Thursby, lo que les puede ofrecer la oportunidad de seguirlo para que pueda conducirlos hasta su hermana. Miles Archer, el socio de Sam Spade, se ha ofrecido para realizar el seguimiento. Pero esa misma noche Spade recibe una llamada telefónica. Archer ha sido encontrado muerto de un disparo a quemarropa. Poco después, Thursby muere tras recibir un disparo frente a su hotel. La policía sospecha que Thursby, mató a Archer y que Spade disparó a Thursby por venganza. La situación se agrava cuando se descubre que Spade estaba teniendo una aventura con Iva, la esposa de Archer. Pero, finalmente, las dudas de Spade se confirman cuando Wonderly le confía su verdadera identidad. Ella es realmente Brigid O’Shaughnessy. En este punto, la acción adquiere un ritmo vertiginoso y Sam Spade, Brigid O’Shaughnessy, Joel Cairo –un afeminado griego, a veces llamado el levantino, y Casper Gutman –una hombre gordo a menudo acompañada de un joven matón llamado Wilmer Cook, terminan tratando de localizar una antigua estatuilla de gran valor, con forma de halcón que da título a la novela, El halcón maltés. 

Algunas veces me pregunto, ¿por qué esperé tanto tiempo a leer este libro? Y no tengo respuesta. Tal vez, no me ayudó  haber visto muchas veces la película. Una película excelente, por cierto, dirigida por John Huston en 1941 y  protagonizada por Humphrey Bogart, Mary Astor, Gladys George, Peter Lorre, Sydney Greenstreet y Elisha Cook En cualquier caso, la novela ha alcanzado o incluso superado todas mis expectativas. Es, sin duda, una verdadera obra maestra. La historia es simplemente genial y está muy bien contada. El ritmo está bien elegido y la caracterización es excelente. Es, probablemente, uno de los mejores libros que se han escrito de novela negra. Ciertamente, no es la primera novela hard-boiled, pero sirvió para sentar las bases por las que se juzgará a todas las novelas posteriores. El estilo de Hammett es totalmente innovador, y me gustaría sugerir la lectura del siguiente artículo: Characterization Through Description in Dashiell Hammett’s The Maltese Falcon, 1930. También Hammett es singular en la utilización de nuevas palabras y expresiones, lo que, indudablemente, hace difícil su traducción. En este sentido, recomiendo la lectura de Getting away with murder: The Maltese Falcon’s specialized homosexual slang gunned down in translation por Daniel Linder aquí.

Mi calificación: A + (No se demore, consiga un ejemplar de este libro)

Dashiell Hammett (1894-1961) nació en Maryland y realizó una serie de trabajos de poca monta hasta que se convirtió en un operativo de la Agencia de Detectives Pinkerton. Sus experiencias como detective privado le sirvieron para desarrollar su carrera de escritor. Su trabajo incluye Cosecha roja, El halcón maltés, La llave de cristal, El hombre delgado y unos ochenta cuentos, la mayoría publicados en la revista Black Mask. Sobre la versión de la película puede ver aquí mis notas de cine; La entrada sobe El halcón maltés en el American Film Institute, AFI, está aquí; y la página de Wikipedia aquí.

Serie Negra publicity page

9 thoughts on “Review: The Maltese Falcon (1930) by Dashiell Hammett”

    1. As we say in Spanish, Alabo tu gusto (I praise your taste) Although, I’m not sure if it can be translated ‘tel quel’ in English

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