Molly Thynne (1881 – 1950) (Update)

thynneMary Harriet (Molly) Thynne was born in 1881, a member of the aristocracy, great-granddaughter of Thomas Thynne, 2nd Marquess of Bath and great-niece of the American painter James McNeil Whistler, on her mother’s side. Her father was Charles Ernest Thynne and her mother Annie Harriet Thynne (born Haden Whistler). She grew up in Kensington and at a young age met literary figures like Rudyard Kipling and Henry James. Her first novel, An Uncertain Glory, was published in 1914, but she did not turn to crime fiction until The Draycott Murder Mystery, the first of six golden age mysteries she wrote and published in as many years, between 1928 and 1933. The last three of these featured Dr Constantine, chess master and amateur sleuth par excellence. Molly Thynne never married. She enjoyed travelling abroad, but spent most of her life in the village of Bovey Tracey, Devon, where she was finally laid to rest in 1950.

Bibliography: The Draycott Murder Mystery aka The Red Dwarf (1928), The Murder on the Enriqueta aka The Strangler (1929), The Case of Sir Adam Braid (1930), The Crime At the ‘Noah’s Ark’ (1931), Death in the Dentist’s Chair (1932) and He Dies and Makes No Sign (1933).

Curtis Evans’ articles on Molly Thynne are at The Passing Tramp.

Kate Jackson’s articles on Molly Thynne are at Cross-Examining Crime.

TomCat’s articles on Molly Thynne are at Beneath the Stains of Time.

Aidan’s articles on Molly Thynne are at Mysteries Ahoy!

Laurie’s articles on Molly Thynne are at Bedford Bookshelf.

Les Blatt articles on Molly Thynne are at Classic Mysteries

51B UCkpiULDescription

News travels quickly and mysteriously on board ship. By the time lunch was over, the rumour began to spread that Mr. Smith’s death had not been due to natural causes.

The bibulous Mr Smith was no pillar of virtue. Crossing the Atlantic Ocean on the Enriqueta, he met someone he knew on board at midnight – and was strangled. Chief Inspector Shand of the Yard, a fellow traveller on the luxury liner, takes on the case, ably assisted by his friend Jasper Mellish. At first the only clue is what the steward saw: a bandaged face above a set of green pyjamas. But surely the crime can be connected to Mr Smith’s former – and decidedly shady – compatriots in Buenos Aires?

The Murder on the Enriqueta (1929: originally called The Strangler in the US) is a thrilling whodunit, including an heiress in peril and a jazz age nightclub among its other puzzle pieces. This new edition, the first in many decades, includes an introduction by crime fiction historian Curtis Evans. (Source: Dean Street Press)

The Murder on the Enriqueta has been reviewed, among others at The Passing Tramp.

Manning Coles (1891–1959) / (1899–1965)

I came across the name of Manning Coles upon reading The Haycraft-Queen Definitive Library of Detective, Crime, and Mystery Fiction A Reader’s List of Detective Story Cornerstones. Since I knew close to nothing about this author(s), I decided to further check into it. I have to thank Kate Jackson, who blogs at Cross-Examining Crime for her suggestion about which book would be better to tackle first and for encouraging me to read them. 

Manning Coles was the pseudonym of two British writers, Adelaide Frances Oke Manning (1891–1959) and Cyril Henry Coles (1899–1965), who wrote many spy thrillers from the early 1940s through the early 1960s. The fictional protagonist in 26 of their books was Thomas Elphinstone Hambledon, who works for a department of the Foreign Office, usually referred to in the novels as “MI5” .

Manning and Coles were neighbors in East Meon, Hampshire. Coles worked for British Intelligence in both the World Wars. Manning worked for the War Office during World War I. Their first books were fairly realistic and with a touch of grimness; their postwar books perhaps suffered from an excess of lightheartedness and whimsy. They also wrote a number of humorous novels about modern-day ghosts, some of them involving ghostly cousins named Charles and James Latimer. These novels were published in England under the pseudonym of Francis Gaite but released in the United States under the Manning Coles byline.

Many of the original exploits were based on the real-life experiences of Coles, who lied about his age and enlisted under an assumed name in a Hampshire regiment during World War I while still a teenager. He eventually became the youngest officer in British intelligence, often working behind German lines, due to his extraordinary ability to master languages. Coles had two sons (Michael and Peter, who were identical twins and who are both still alive, living in the UK) and the Ghost stories were based on the tales he used to tell his young sons when he was ‘back from his travels’. (Source Wikipedia)

Tommy Hambledon novels: Drink to Yesterday, 1940, Pray Silence, 1940 (American title: A Toast to Tomorrow), They Tell No Tales, 1941, Without Lawful Authority, 1943, Green Hazard, 1945, The Fifth Man, 1946, Let the Tiger Die, 1947, A Brother for Hugh, 1947 (American title: With Intent to Deceive), Among Those Absent, 1948, Diamonds to Amsterdam, 1949, Not Negotiable, 1949, Dangerous by Nature, 1950, Now or Never, 1951, Alias Uncle Hugo, 1952 (British title: Operation Manhunt, 1953), Night Train to Paris, 1952, A Knife for the Juggler, 1953 (revised American edition, 1964; also published as The Vengeance Man, 1967), Not for Export, 1954, American title: All That Glitters; also published as The Mystery of the Stolen Plans, 1960), The Man in the Green Hat, 1955, The Basle Express, 1956, Birdwatcher’s Quarry, 1956 (British title: The Three Beans, 1957), Death of an Ambassador, 1957, No Entry, 1958, Crime in Concrete, 1960 (American title: Concrete Crime), Search for a Sultan, 1961 (by Coles and Tom Hammerton), The House at Pluck’s Gutter, 1963 (by Coles and Tom Hammerton).

The Manning Coles spy thrillers occupy a formative place in the development of the espionage novel. Coles stressed the day-to-day lives of spies, the need for secrecy even from loved ones, and the awful requirements of betrayal and death each spy must be willing to execute. His novels have an edge missing from much inter-war spy fiction before him, and his style paved the way for the sort of atmosphere that would later inform the work of John le Carr? and others. A Drink to Yesterday and A Toast to Tomorrow still read well for both their period flavor and their ripping good plots. (Source: Charles L.P. Silet at Mystery Scene Magazine)

Manning Coles at Golden Age of Detection Wiki

Kate Jackson’s articles on Manning Coles are at Cross-Examining Crime.

Further reading: Manning Coles by Tom & Enid Schantz. Lyons, Colorado. January 2008. Rue Morgue Press. Retrieved 16 May 2020.

Its realistic portrayal of the real world of espionage is what makes Drink to Yesterday one of the most important books in the development of the spy novel, a fact that was immediately recognized  not only by the critics but by the general reading population. Howard Haycraft, the genre’s first historian, wrote in his seminal Murder for Pleasure that it fell first to Eric Ambler to give new life to the spy-and-intrigue story by bringing it close to a legitimate marriage with detection in such works as Background to Danger (1937) and Coffin for Dimitrios (1939). Gone from Ambler’s works were the “stereotyped cliches and slinky females in black velvet” found in the works of fanciful novelists such as William Lequeux, E. Phillips Oppenheim and H.C. McNeile (“Sapper”). Writing in 1941, the year the first two Manning Coles books appeared in the United States, Haycraft commented that “the mood of subtle understatement which [Ambler] established seems already to have found an echo in such superior works as… Drink to Yesterday and A Toast to Tomorrow.” He later added both books, with an assist from Frederic Dannay (one half of the Ellery Queen team), to his list of cornerstone books in the development of the genre. (Manning Coles by Tom & Enid Schantz)


(Source: Facsimile Dust Jackets LLC. Alfred A. Knopf (USA), 1941)

When Drink to Yesterday first appeared in Britain in 1940 (Hodder & Stoughton) and in the U.S. in 1941, it was immediately heralded as a departure from the fanciful spy-and-intrigue novels that preceded it. Gone were complicated passwords, deadly dames in black velvet, and dashing aristocratic secret agents. Here, instead, was what Howard Haycraft, the genre’s first historian, termed “a mood of subtle understatement,” calling Drink to Yesterday and its immediate sequel, A Toast to Tomorrow, “superior” examples of this revamped genre. Drink to Yesterday was based on the early life of one of its two collaborators, Cyril Henry Coles, who left school, lied about his age and enlisted as a teenager in the British army during World War I. He was transferred to intelligence when his remarkable aptitude for conversational German was noticed, and he became the youngest member of Britain’s Foreign Intelligence Office (later MI6). Like Bill Saunders of the book, Coles spent much of the rest of war working behind enemy lines. Coles and his collaborator, a Hampshire neighbor, Adelaide Oke Manning, chose to cast his story in the form of the novel so as not to run afoul of the Official Secrets Act. Grimmer than later books in the series, it’s also an ingenious circular story of murder, enlivened by the sardonic humor of Bill’s mentor, Tommy Hambledon. (Source: Fantastic Fiction)

Drink to Yesterday has been reviewed, among others, at The Rap Sheet, Mystery Scene Magazine, Vintage Pop Fictions, Golden Age of Detective Fiction, and Noirish.

%d bloggers like this: