What I Read in February 2022

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‘The Avenging Chance’, 1928 s.s. by Anthony Berkeley

The Poisoned Chocolates Case (Revisited and updated on 13/02/2022), 1929 (Roger Sheringham Cases #5) by Anthony Berkeley

Elusion Aforethought: The Life and Writing of Anthony Berkeley Cox (1996) by Malcolm J. Turnbull

The Wintringham Mystery: Cicely Disappears, 1927 by Anthony Berkeley

Overture to Death, 1939 (Roderick Alleyn #8) by Ngaio Marsh (my post will be ready soon)

Jumping Jenny, 1933 (Roger Sheringham Cases # 9) by Anthony Berkeley (my post will be ready soon)

Currently reading: The 9.50 Up Express and Other Stories (s.s. collected 2020) by Freeman Wills Crofts

My Book Notes: The Wintringham Mystery: Cicely Disappears, 1927 by Anthony Berkeley

Esta entrada es bilingüe. Desplazarse hacia abajo para ver la versión en español

Collins Crime Club, 2021. Book Format: Kindle Edition. File Size: 1184 KB. Print Length: 238 pages. ASIN: B08SLHM2Y2. eISBN: 9780008470111.

This story was originally serialized by the Daily Mirror in March-April 1926 as The Wintringham Mystery by A. B. Cox, with a first prize of £250 –equivalent to £15,000 today, offered to any reader who could correctly deduced how, why and by whose agency, the victim (Stella, later Cicely) disappeared. Nobody did – even Agatha Christie entered and couldn’t solve it. It was revised and published in book form by John Long Ltd in 1927 (with a few name changes) as Cicely Disappears by A. Monmouth Platts. In 2021, HarperCollins reissued this book as part of their Collins Crime Club series under the original title, but keeping the revised 1927 text with an insightful introduction by critic, editor and genre historian, Tony Medawar.

9780008470104Book Description: Stephen Munro, a demobbed army officer, reconciles himself to taking a job as a footman to make ends meet. Employed at Wintringham Hall, the delightful but decaying Sussex country residence of the elderly Lady Susan Carey, his first task entails welcoming her eccentric guests to a weekend house-party, at which her bombastic nephew – who recognises Stephen from his former life – decides that an after-dinner séance would be more entertaining than bridge. Then Cicely disappears! With Lady Susan reluctant to call the police about what is presumably a childish prank, Stephen and the plucky Pauline Mainwaring take it upon themselves to investigate. But then a suspicious death turns the game into an altogether more serious affair… This classic winter mystery incorporates all the trappings of the Golden Age – a rambling country house, a séance, a murder, a room locked on the inside, with servants, suspects and alibis, a romance – and an ingenious puzzle.

My Take: In simple terms, the plot revolves around the disappearance of a young woman, called Cicely Vernon, during an after-dinner séance at Wintringham Hall, Lady Susan Carey’s country house in Sussex. Or maybe it would be better to call it Witches’ Sabbath. The disappearance  takes place in front of the group of people gathered there to spend the weekend. In addition to Lady Susan herself, there are Millicent Carey, Lady Susan’s niece and heiress; her nephew Freddie Venables, son of Lady Susan’s only sister; an old friend of hers, a certain Colonel Uffculme; Miss Rivers, Lady Susan’s hired escort; Cicely Vernon, the daughter of an old friend of Lady Susan, of lineage as old as hers, but as poor as she herself is rich; Pauline Mainwaring and her fiancé Sir Julius Hammerstein, a well-known stockbroker and one of the richest men in London; Henry Kentisbeare, a useless young man who lives off the resources of his friends; John Starcross, a man who rose to fame a few month ago on his return from a long and perilous expedition through Central and South America, and now no self-respecting country house party is complete without him; Miss Baby Cullompton, a young woman with a childlike expression; Miss Annette Agnew a young distant cousin of Millicent and Lady Susan; and Stephen Munro, an old pal of Freddie Venables.

The Witches’ Sabbath is Freddy’s idea and he plays the role of ringmaster while Cicely volunteers to disappear. There’s a map attached at Pretty Sinister Book’s review, showing everyone’s position before the lights are put out. When the room is in darkness, a low, shuddering moan is heard, preceded by a loud rap. Suddenly, something seems to have gone wrong. There is a power failure, and the beams of the torches show the empty chair where Cicely was sitting. Cicely has vanished without a trace. Lady Susan considers that they have been the victims of a prank, pranks that Cicely is quite fond of, and she is reluctant to call the police. However, Stephen Munro, an impoverished gentleman who has had to give up his bid to marry Miss Pauline Mainwaring, join forces with his old flame on their quest to find out what has happened.

The Wintringham Mystery is a light and entertaining read. The plot, for today’s taste, may be somewhat weak or childish if you like, though I found it fairly enjoyable and amusing. It was nice to spend some time with this book. It contains most of  the ingredients one expects on a classic Golden Age detective story, and it’s been a good thing to have recovered an almost forgotten book by Anthony Berkeley. A nice puzzle with an unexpected denouement.

The Wintringham Mystery has been reviewed, among others, by Martin Edwards at ’Do You Write Under Your Own Name?’, Kate Jackson at Cross-examining Crime, Leah at Fiction Fan’s Book Reviews, TomCat at Beneath the Stains of Time, J F Norris at Pretty Sinister Books, and Jim Noy at The Invisible Event.

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(Source: Facsimile Dust Jackets, LLC. John Long, Ltd. (UK), 1927)

About the Author: Anthony Berkeley, whose real name was Anthony Berkeley Cox, was a popular British satirical journalist, crime and mystery writer, and literary critic who wrote under the pseudonyms Francis Iles, Anthony Berkeley, and A. Monmouth Platts. Born in Watford, Hertfordshire on 5 July 1893, he was the son of Alfred Edward Cox, a doctor who invented a kind of X-ray machine that allowed shrapnel to be detected in wounded patients. Sybil (née Iles), his mother, claimed descent from the 17th-century Earl of Monmouth and a smuggler named Francis Iles. The family inheritance included two estates in Watford: Monmouth House and The Platts. Cox was educated at Sherborne School and University College, Oxford. With the outbreak of the First World War, he enlisted, attained the rank of lieutenant in the 7th Northumberland Regiment, was gassed in France, and was invalided out of the army. His health was seriously affected for the rest of his life. Details about his professional life in the years immediately after the war are somewhat sketchy. As time went by he devoted himself more and more to writing. Cox married twice, the first with Margaret Farrar when he was on leave in London in December 1917. They divorced in 1931 and Margaret Cox remarried. Apparently their breakup was amicable. The second in 1932 with Helen Peters (née MacGregor), ex-wife of his literary agent, A. D. Peters. No children were born from either of the Cox unions, although Helen brought her two children by Peters with her. His second marriage broke up in the late 1940s, and their parting again appears to have been reasonably amicable. Cox’s professional writing career began around 1922, writing satirical stories for Punch and other popular publications. His first detective novel, The Layton Court Mystery, was published anonymously in 1925. Between 1925 and 1939, he published 14 crime novels under the pseudonym Anthony Berkeley, of which 10 featured the amateur sleuth Roger Sheringham. In the fifth The Poisoned Chocolates Case, a second amateur detective, Ambrose Chitterwick, is also involved, who will feature in two more of his novels. He also published under his real name, A. B. Cox, Mr Priestley’s Problem and The Wintringham Mystery. The latter was written to be serialized in the Daily Mirror. A revised version appeared as Cicely Disappears in 1927, under the pseudonym of A. Monmouth Platts. It is widely accepted that Cox’s greatest achievements as a novelist were the first two of the three “inverted novels” he published under the name of Francis Iles. Both Malice Aforethought and Before the Fact are considered masterpieces and had a decisive influence on the realism of post-war crime fiction in Britain. Before the Fact served as the basis for the 1941 film Suspicion directed by Alfred Hitchcock and starring Cary Grant and Joan Fontaine. In 1930, Berkeley founded the legendary Detection Club in London together with leading practitioners of the genre, such as Gilbert K. Chesterton, Agatha Christie, R. Austin Freeman, Baroness Orczy and Dorothy L. Sayers. In fact, the Crimes Circle in The Poisoned Chocolates Case can rightly be considered a predecessor of the Detection Club in fiction. After 1939, Cox decided to stop writing fiction for reasons that are still subject to speculation. For the next thirty years his literary output was limited to book reviews for the Sunday Times and the Manchester Guardian. Considered a key figure in the development of crime fiction, Anthony Berkeley Cox died at St Mary’s Hospital, Paddington, on 9 March 1971. On his death certificate his name was mistakenly recorded as Anthony Beverley Cox.

Crime Fiction Bibliography:

Roger Sheringham series: The Layton Court Mystery published as by “?” (Herbert Jenkins, 1925; Doubleday, 1929); The Wychford Poisoning Case: An Essay in Criminology published as by the author of The Layton Court Mystery (Collins, 1926; Doubleday, 1930); Roger Sheringham and the Vane Mystery (Collins, 1927; reprinted by Collins as The Vane Mystery; US title: The Mystery at Lovers’ Cave, Simons & Schuster, 1927); The Silk Stocking Murders (Collins, 1928; Doubleday, 1928); The Poisoned Chocolates Case (Collins, 1929; Doubleday, 1929); The Second Shot (Hodder & Stoughton, 1930; Doubleday, 1931); Top Storey Murder (Hodder, 1931; US title: Top Story Murder, Doubleday, 1931); Murder in the Basement (Hodder, 1932; Doubleday, 1932); Jumping Jenny (Hodder, 1933; US title: Dead Mrs. Stratton, Doubleday, 1933); Panic Party (Hodder, 1934; US title: Mr. Pidgeon’s Island, Doubleday, 1934); and The Avenging Chance and Other Mysteries from Roger Sheringham’s Casebook (Crippen & Landru, 2004); 2nd edition with an additional story (Crippen & Landru, 2015).

Other Crime Novels: Cicely Disappears published as by A. Monmouth Platts (John Long, 1927, a shorter version appeared as a serial, The Wintringham Mystery, as by A.B. Cox, in The Daily Mirror); Mr Priestley’s Problem published as by A.B. Cox (Collins, 1927; US title: The Amateur Crime (Doubleday, 1928), The Piccadilly Murder (Collins, 1929; Doubleday, 1930); Trial and Error (Hodder, 1937; Doubleday, 1937); Not to Be Taken (Hodder, 1938; US title: A Puzzle in Poison (Doubleday, 1938); and Death in the House (Hodder, 1939; Doubleday, 1939).

Novels as Francis Iles: Malice Aforethought: The Story of a Commonplace Crime (Gollancz, 1931; Harper, 1931); Before the Fact: A Murder Story for Ladies (Gollancz, 1932; Doubleday, 1932); and As for the Woman: A Love Story (Jarrolds, 1939; Doubleday, 1939)

Collaborative works with members of the Detection Club: The Floating Admiral (Hodder, 1931; Doubleday, 1932); Ask a Policemen (Barker, 1933; Morrow, 1933); Six Against the Yard (Selwyn & Blount, 1936; US title: Six Against Scotland Yard, Doubleday, 1936); and The Scoop and Behind the Screen (both collaborative detective serials written by members of the Detection Club which were broadcast weekly by their authors on the BBC National Programme in 1930 and 1931 with the scripts then being published in The Listener within a week after broadcast. The two serials were first published in book form in the UK by Victor Gollancz Ltd in 1983 and in the US by Harper & Row in 1984)

Further reading: Elusion Aforethought: The Life and Writing of Anthony Berkeley Cox by Malcolm J. Turnbull (Bowling Green State University Press, 1996); The Golden Age of Murder by Martin Edwards (Harper Collins, 2015)

A more detailed bibliography of Anthony Berkeley Cox can be found here.

Harper Collins UK publicity page

Harper Collins US publicity page

Soundcloud

The Urbane Innovator: Anthony Berkeley, Aka Francis Iles by Martin Edwards

The Detection Club and the Mid-Century Fight Over “Fair Play” in Crime Fiction by Curtis Evans 

The Wintringham Mystery: Cicely Disappears, de Anthony Berkeley

Esta historia fue originalmente publicada por entregas por el Daily Mirror en marzo-abril de 1926 como The Wintringham Mystery por AB Cox, con un primer premio de £250, equivalente a £15.000 hoy, ofrecido a cualquier lector que pudiera deducir correctamente cómo, por qué y por medio de quién, la víctima (Stella, más tarde Cicely) desapareció. Nadie lo consiguió, incluso Agatha Christie participó en la competición y no pudo resolverlo. El texto fe revisado y publicado en forma de libro por John Long Ltd en 1927 (con algunos nombres alterados) como Cicely Disappears por A. Monmouth Platts. En el 2021, HarperCollins reeditó este libro como parte de su serie Collins Crime Club con el título original, pero manteniendo el texto revisado de 1927 con una detallada introducción del crítico, editor e historiador del género, Tony Medawar.

Descripción del libro: Stephen Munro, un oficial del ejército desmovilizado, tiene que aceptar un trabajo como lacayo para llegar a fin de mes. Empleado en Wintringham Hall, la encantadora pero decadente residencia de campo de la anciana Lady Susan Carey en Sussex, su primera tarea consiste en dar la bienvenida a sus excéntricos invitados a una fiesta familiar de fin de semana, en la que su grandilocuente sobrino, que reconoce a Stephen de su vida anterior, decide que una sesión de espiritismo después de la cena sería más entretenida que el bridge. ¡Entonces Cicely desaparece! Con Lady Susan reacia a llamar a la policía por lo que presumiblemente es una broma infantil, Stephen y la valiente Pauline Mainwaring se encargan de investigar. Pero luego, una muerte sospechosa convierte el juego en un asunto mucho más serio… Este clásico misterio invernal incorpora todos los elementos de la Edad de Oro: una casa de campo laberíntica, una sesión de espiritismo, un asesinato, una habitación cerrada por dentro, con sirvientes, sospechosos y coartadas, un romance y un ingenioso rompecabezas.

Mi opinión: En términos simples, la trama gira en torno a la desaparición de una mujer joven, llamada Cicely Vernon, durante una sesión de espiritismo después de la cena en Wintringham Hall, la casa de campo de Lady Susan Carey en Sussex. O tal vez sería mejor llamarlo Sábado de Brujas. La desaparición se produce frente al grupo de personas allí reunidas para pasar el fin de semana. Además de la propia Lady Susan, están Millicent Carey, la sobrina y heredera de Lady Susan; su sobrino Freddie Venables, hijo de la única hermana de Lady Susan; un viejo amigo suyo, un tal coronel Uffculme; Miss Rivers, la acompañante contratada de Lady Susan; Cicely Vernon, la hija de una vieja amiga de Lady Susan, de linaje tan antiguo como el suyo, pero tan pobre como rica es ella; Pauline Mainwaring y su prometido Sir Julius Hammerstein, un conocido agente de bolsa y uno de los hombres más ricos de Londres; Henry Kentisbeare, un joven inútil que vive de los recursos de sus amigos; John Starcross, un hombre que saltó a la fama hace unos meses a su regreso de una larga y peligrosa expedición por América Central y del Sur, y ahora ninguna fiesta en una casa de campo que se precie está completa sin él; Miss Baby Cullompton, una joven de expresión infantil; la señorita Annette Agnew, una joven prima lejana de Millicent y Lady Susan; y Stephen Munro, un viejo amigo de Freddie Venables.

El sábado de brujas es idea de Freddy y él desempeña el papel de maestro de ceremonias, mientras que Cicely se ofrece como voluntaria para desaparecer. Hay un mapa adjunto en la reseña de Pretty Sinister Book, que muestra la posición de todos antes de que se apaguen las luces. Cuando la habitación está a oscuras, se escucha un gemido bajo y estremecedor, precedido de un fuerte golpe. De repente, algo parece haber salido mal. Hay un corte de electricidas y las luces de las linternas muestran la silla vacía donde estaba sentada Cicely. Cicely ha desaparecido sin dejar rastro. Lady Susan considera que han sido víctimas de una broma, bromas que a Cicely le gustan mucho y se resiste a llamar a la policía. Sin embargo, Stephen Munro, un caballero empobrecido que ha tenido que renunciar a su intento de casarse con la señorita Pauline Mainwaring, une fuerzas con su antiguo amor en su búsqueda por averiguar qué sucedió.

The Wintringham Mystery es una lectura ligera y entretenida. La trama, para el gusto de hoy, puede resultar algo floja o infantil si se quiere, aunque me pareció bastante amena y divertida. Fue agradable pasar un tiempo con este libro. Contiene la mayoría de los ingredientes que uno espera de una clásica historia de detectives de la Edad de Oro, y ha sido bueno haber recuperado un libro casi olvidado de Anthony Berkeley. Un buen enigma con un desenlace inesperado.

Sobre el autor: Anthony Berkeley, cuyo verdadero nombre era Anthony Berkeley Cox, fue un popular periodista satírico, escritor de crímenes y misterio, y crítico literario británico que escribió bajo los seudónimos de Francis Iles, Anthony Berkeley y A. Monmouth Platts. Nacido en Watford, Hertfordshire el 5 de julio de 1893, era hijo de Alfred Edward Cox, un médico que inventó una especie de máquina de rayos X que permitía detectar metralla en pacientes heridos. Sybil (de soltera Iles), su madre, afirmaba descender del Earl of Monmouth del siglo XVII y de un contrabandista llamado Francis Iles. La herencia familiar incluía dos propiedades en Watford: Monmouth House y The Platts. Cox se educó en el Sherborne School y en el University College, Oxford. Con el estallido de la Primera Guerra Mundial, se alistó, alcanzó el rango de teniente en el 7º Regimiento de Northumberland, fue gaseado en Francia y fue dado de baja del ejército por invalidez. Su salud quedó gravemente deteriorada el resto de su vida. Los detalles sobre su vida profesional en los años inmediatamente posteriores a la guerra son algo vagos. Con el paso del tiempo se dedicó cada vez más a escribir. Cox se casó dos veces, la primera con Margaret Farrar cuando estaba de permiso en Londres en diciembre de 1917. Se divorciaron en 1931 y Margaret Cox se volvió a casar. Al parecer, su ruptura fue amistosa. La segunda en 1932 con Helen Peters (de soltera MacGregor), exmujer de su agente literario, A. D. Peters. No nacieron hijos de ninguna de las uniones de Cox, aunque Helen aportó con ella a sus dos hijos de Peters. Su segundo matrimonio se rompió a fines de la década de 1940 y su separación nuevamente parece haber sido razonablemente amistosa. La carrera de escritor profesional de Cox comenzó alrededor de 1922, escribiendo historias satíricas para Punch y otras publicaciones populares. Su primera novela policiaca, The Layton Court Mystery, se publicó de forma anónima en 1925. Entre 1925 y 1939, publicó 14 novelas policiacas bajo el seudónimo de Anthony Berkeley, de las cuales 10 presentaban al detective aficionado Roger Sheringham. En la quinta, The Poisoned Chocolates Case, también interviene un segundo detective aficionado, Ambrose Chitterwick, que aparecerá en dos novelas más. También publicó con su nombre real, A. B. Cox, Mr Priestley’s Problem y The Wintringham Mystery. Este último fue escrito para ser publicado por entregas en el Daily Mirror. Una versión revisada apareció como Cicely Disappears en 1927, bajo el seudónimo de A. Monmouth Platts. Es ampliamente aceptado que los mayores logros de Cox como novelista fueron las dos primeras de las tres “novelas invertidas” que publicó bajo el nombre de Francis Iles. Tanto Malice Aforethought como Before the Fact se consideran obras maestras y tuvieron una influencia decisiva en el realismo de la novela policiaca de posguerra en Gran Bretaña. Before the Fact sirvió de base para la película Suspicion de 1941 dirigida por Alfred Hitchcock y protagonizada por Cary Grant y Joan Fontaine. En 1930, Berkeley fundó el legendario Detention Club en Londres junto con destacados profesionales del género, como Gilbert K. Chesterton, Agatha Christie, R. Austin Freeman, Baroness Orczy y Dorothy L. Sayers. De hecho, el Círculo del Cirmen en The Poisoned Chocolates Case puede considerarse con razón un predecesor del Detention Club en la ficción. Después de 1939, Cox decidió dejar de escribir ficción por razones que aún son objeto de especulación. Durante los siguientes treinta años, su producción literaria se limitó a reseñas de libros para el Sunday Times y el Manchester Guardian. Considerado una figura clave en el desarrollo de la novela policíaca, Anthony Berkeley Cox murió en el St Mary’s Hospital, Paddington, el 9 de marzo de 1971. En su certificado de defunción, su nombre se registró por error como Anthony Beverley Cox.

Bibliografía de sus novelas policiacas:

Serie de Roger Sheringham: The Layton Court Mystery [El Misterio de Layton Court] published as by “?” (Herbert Jenkins, 1925; Doubleday, 1929); The Wychford Poisoning Case: An Essay in Criminology published as by the author of The Layton Court Mystery (Collins, 1926; Doubleday, 1930); Roger Sheringham and the Vane Mystery (Collins, 1927; reprinted by Collins as The Vane Mystery; US title: The Mystery at Lovers’ Cave, Simons & Schuster, 1927); The Silk Stocking Murders [El crimen de las medias de seda] (Collins, 1928; Doubleday, 1928); The Poisoned Chocolates Case [El caso de los bombones envenenados ](Collins, 1929; Doubleday, 1929); The Second Shot (Hodder & Stoughton, 1930; Doubleday, 1931); Top Storey Murder (Hodder, 1931; US title: Top Story Murder, Doubleday, 1931); Murder in the Basement [Asesinato en el sótano] (Hodder, 1932; Doubleday, 1932); Jumping Jenny [Baile de máscaras] (Hodder, 1933; US title: Dead Mrs. Stratton, Doubleday, 1933); Panic Party (Hodder, 1934; US title: Mr. Pidgeon’s Island, Doubleday, 1934); and The Avenging Chance and Other Mysteries from Roger Sheringham’s Casebook (Crippen & Landru, 2004); 2nd edition with an additional story (Crippen & Landru, 2015).

Otras novelas policiacas: Cicely Disappears published as by A. Monmouth Platts (John Long, 1927, a shorter version appeared as a serial, The Wintringham Mystery, as by A.B. Cox, in The Daily Mirror); Mr Priestley’s Problem published as by A.B. Cox (Collins, 1927; US title: The Amateur Crime (Doubleday, 1928), The Piccadilly Murder (Collins, 1929; Doubleday, 1930); Trial and Error [El dueño de la muerte] (Hodder, 1937; Doubleday, 1937); Not to Be Taken (Hodder, 1938; US title: A Puzzle in Poison (Doubleday, 1938); and Death in the House (Hodder, 1939; Doubleday, 1939).

Como Francis Iles: Malice Aforethought: The Story of a Commonplace Crime [Premeditación] (Gollancz, 1931; Harper, 1931); Before the Fact: A Murder Story for Ladies [Complicidad] (Gollancz, 1932; Doubleday, 1932); and As for the Woman: A Love Story [Las redes del amor] (Jarrolds, 1939; Doubleday, 1939)

Trabajos en colaboración con otros miembros del Detection Club: The Floating Admiral (Hodder, 1931; Doubleday, 1932); Ask a Policemen (Barker, 1933; Morrow, 1933); Six Against the Yard (Selwyn & Blount, 1936; US title: Six Against Scotland Yard, Doubleday, 1936); and The Scoop and Behind the Screen (both collaborative detective serials written by members of the Detection Club which were broadcast weekly by their authors on the BBC National Programme in 1930 and 1931 with the scripts then being published in The Listener within a week after broadcast. The two serials were first published in book form in the UK by Victor Gollancz Ltd in 1983 and in the US by Harper & Row in 1984)

Otras lecturas: Elusion Aforethought: The Life and Writing of Anthony Berkeley Cox by Malcolm J. Turnbull (Bowling Green State University Press, 1996); The Golden Age of Murder by Martin Edwards (Harper Collins, 2015).

Una bibliografía más detallada de la obra de Anthony Berkeley Cox se puede encontrar aquí.

Berkeley, Anthony (1893 – 1971) [updated 26/02/2022]

anthony-berkeleyAnthony Berkeley, whose real name was Anthony Berkeley Cox, was a popular British satirical journalist, crime and mystery writer, and literary critic who wrote under the pseudonyms Francis Iles, Anthony Berkeley, and A. Monmouth Platts. Cox’s controversial figure is considered one of the most important and influential crime writers of the Golden Age by authorities such as Haycraft, Symons, and Keating, although his figure today is perhaps not well known.

Born in Watford, Hertfordshire on 5 July 1893, he was the son of Alfred Edward Cox, a doctor who invented a kind of X-ray machine that allowed shrapnel to be detected in wounded patients. Sybil (née Iles), his mother, claimed descent from the 17th-century Earl of Monmouth and a smuggler named Francis Iles. The family inheritance included two estates in Watford: Monmouth House and The Platts. Sybil was a determined intellectual woman who studied at Oxford before women’s colleges were formally admitted to the university. Anthony was the eldest of three children born to Alfred and Sybil Cox. A daughter, Cynthia Cecily, was born in 1897 and a second son, Stephen Henry Johnson, in 1899. In a family of high achievers, Anthony felt overshadowed by his talented siblings: he took a miserable third-class degree, whereas Stephen won a scholarship to King’s College, Cambridge, and Cynthia achieved a doctorate in music, causing him to develop an inferiority complex, exacerbated by a sense that his powerful and intelligent mother found him a disappointment.

Cox was educated at Sherborne School and University College, Oxford. With the outbreak of the First World War, he enlisted, attained the rank of lieutenant in the 7th Northumberland Regiment, was gassed in France, and was invalided out of the army. His health was seriously affected for the rest of his life. Details about his professional life in the years immediately after the war are somewhat sketchy. As time went by he devoted himself more and more to writing.

Although it is little known, Cox married twice. The first with Margaret Farrar when he was on leave in London in December 1917. They divorced in 1931 and Margaret Cox remarried. Apparently their breakup was amicable. The second in 1932 with Helen Peters (née MacGregor), ex-wife of his literary agent, A. D. Peters. No children were born from either of the Cox unions, although Helen brought her two children by Peters with her. His second marriage broke up in the late 1940s, and their parting again appears to have been reasonably amicable. Cox’s professional writing career began around 1922, writing satirical stories for Punch and other popular publications.

His first detective novel, The Layton Court Mystery, was published anonymously in 1925; his popularity convinced him to focus his creative energy on this kind of storytelling. Between 1925 and 1939, he published 14 crime novels under the pseudonym Anthony Berkeley, of which 10 featured the amateur sleuth Roger Sheringham. In the fifth The Poisoned Chocolates Case, a second amateur detective, Ambrose Chitterwick, is also involved, who will feature in two more of his novels. He also published under his real name, A. B. Cox, Mr Priestley’s Problem and The Wintringham Mystery. The latter was written to be serialized in the Daily Mirror. A revised version appeared as Cicely Disappears in 1927, under the pseudonym of A. Monmouth Platts. Most historians agree that one of Cox’s greatest achievements as a novelist was the first two of the three “inverted novels” he published under the name of Francis Iles. Both Malice Aforethought and Before the Fact are considered masterpieces and had a decisive influence on the realism of post-war crime fiction in Britain. Before the Fact served as the basis for the 1941 film Suspicion directed by Alfred Hitchcock and starring Cary Grant and Joan Fontaine.

In 1930, Berkeley founded the legendary Detection Club in London together with leading practitioners of the genre, such as Gilbert K. Chesterton, Agatha Christie, R. Austin Freeman, Baroness Orczy and Dorothy L. Sayers. In fact, the Crimes Circle in The Poisoned Chocolates Case can rightly be considered a predecessor of the Detection Club in fiction.

After 1939, Cox decided to stop writing fiction for reasons that are still subject to speculation. For the next thirty years his literary output was limited to book reviews for the Sunday Times and the Manchester Guardian. As a reviewer, he was one of the first critics to praise the talents of gifted young writers such as P. D. James and Ruth Rendell. Considered a key figure in the development of crime fiction, Anthony Berkeley Cox died at St Mary’s Hospital, Paddington, on 9 March 1971. On his death certificate his name was mistakenly recorded as Anthony Beverley Cox.

Anthony Berkeley Cox tends to be mostly remembered for the first two of his “sophisticated,” psychological “Francis Iles” novels, Malice Aforethought (1931) and Before the Fact (1932). As for the more numerous crime novels Cox wrote under the name “Anthony Berkeley,” the great standouts traditionally have been The Poisoned Chocolates Case, a stunt story much praised by Julian Symons and others, and the clever criminal and judicial extravaganza Trial and Error (1937), in my opinion Cox’s magnum opus. Little of the rest of Cox’s output gets much notice, though in my view some of it, particularly Top Storey Murder (1931), Jumping Jenny (1933) and Not to be Taken (1938), is excellent. (Curt J. Evans)

Crime Fiction Bibliography:

Roger Sheringham series: The Layton Court Mystery published as by “?” (Herbert Jenkins, 1925; Doubleday, 1929); The Wychford Poisoning Case: An Essay in Criminology published as by the author of The Layton Court Mystery (Collins, 1926; Doubleday, 1930); Roger Sheringham and the Vane Mystery (Collins, 1927; reprinted by Collins as The Vane Mystery; US title: The Mystery at Lovers’ Cave, Simons & Schuster, 1927); The Silk Stocking Murders (Collins, 1928; Doubleday, 1928); The Poisoned Chocolates Case (Collins, 1929; Doubleday, 1929); The Second Shot (Hodder & Stoughton, 1930; Doubleday, 1931); Top Storey Murder (Hodder, 1931; US title: Top Story Murder, Doubleday, 1931); Murder in the Basement (Hodder, 1932; Doubleday, 1932); Jumping Jenny (Hodder, 1933; US title: Dead Mrs. Stratton, Doubleday, 1933); Panic Party (Hodder, 1934; US title: Mr. Pidgeon’s Island, Doubleday, 1934); and The Avenging Chance and Other Mysteries from Roger Sheringham’s Casebook (Crippen & Landru, 2004); 2nd edition with an additional story (Crippen & Landru, 2015).

Other Crime Novels: Cicely Disappears published as by A. Monmouth Platts (John Long, 1927, a shorter version appeared as a serial, The Wintringham Mystery, as by A.B. Cox, in The Daily Mirror); Mr Priestley’s Problem published as by A.B. Cox (Collins, 1927; US title: The Amateur Crime (Doubleday, 1928), The Piccadilly Murder (Collins, 1929; Doubleday, 1930); Trial and Error (Hodder, 1937; Doubleday, 1937); Not to Be Taken (Hodder, 1938; US title: A Puzzle in Poison (Doubleday, 1938); and Death in the House (Hodder, 1939; Doubleday, 1939).

Novels as Francis Iles: Malice Aforethought: The Story of a Commonplace Crime (Gollancz, 1931; Harper, 1931); Before the Fact: A Murder Story for Ladies (Gollancz, 1932; Doubleday, 1932); and As for the Woman: A Love Story (Jarrolds, 1939; Doubleday, 1939)

Collaborative works with members of the Detection Club: The Floating Admiral (Hodder, 1931; Doubleday, 1932); Ask a Policemen (Barker, 1933; Morrow, 1933); Six Against the Yard (Selwyn & Blount, 1936; US title: Six Against Scotland Yard, Doubleday, 1936); and The Scoop and Behind the Screen (both collaborative detective serials written by members of the Detection Club which were broadcast weekly by their authors on the BBC National Programme in 1930 and 1931 with the scripts then being published in The Listener within a week after broadcast. The two serials were first published in book form in the UK by Victor Gollancz Ltd in 1983 and in the US by Harper & Row in 1984)

Further reading: Elusion Aforethought: The Life and Writing of Anthony Berkeley Cox by Malcolm J. Turnbull (Bowling Green State University Press, 1996); The Golden Age of Murder by Martin Edwards (Harper Collins, 2015)

A more detailed bibliography of Anthony Berkeley Cox can be found here.

The Urbane Innovator: Anthony Berkeley, Aka Francis Iles by Martin Edwards

My Book Notes: Elusion Aforethought: The Life and Writing of Anthony Berkeley Cox (1996) by Malcolm J. Turnbull

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Bowling Green, Ohio : Bowling Green State University Popular Press, 1996. 166 pages. ISBN: 978-0879727161. Source: Borrowed via Internet Archive.

41FEWSRE93L._SX310_BO1,204,203,200_Description: Elusion Aforethought provides significant new material on the work of crime and detection fiction writer Anthony Berkeley Cox, a popular and prolific English journalist, satirist, and novelist in the period between World Wars I and II. Cox has been called one of the most important and influential of Golden Age detective fiction writers by such authorities as Haycraft, Symons, and Keating, yet he occupies a surprisingly ambivalent position in the history of the crime genre.

My Take: Elusion Aforethought is an essential book for anyone who wants to learn more about the professional career of Anthony Berkely Cox. It is divided into eight sections: 1. Introduction, 2. Anthony Berkeley Cox (1893 –1971), 3. A.B.Cox Humourist, 4. Anthony Berkeley (I) Roger Sheringham, 5. Anthony Berkeley (II) Moresby, Chitterwick and others, 6. Francis Iles, 7. Nonfiction. True Crime. Books Reviews and Politics, and 8. Conclusion. Plus several Appendixes: Annotated Checklist on ABC’s books, Notes, Bibliography and Index.

My main interest in this book lies in his biography, his crime novels as Anthony Berkeley, his works as a humourist, his reviews, and its conclusions. I’ll leave his novels as Francis Iles for another day. Attached below is a brief profile of Anthony Berkeley Cox and a bibliography. Cox began his writing career with sketches for Punch, “a so called humorous periodical.” He contributed some 60 humorous pieces between November 1922 and March 1929, although he supplied nearly 200 more sketches and skits to other periodicals published under his own name. Most of the pieces were composed between 1923 and 1926, by which time he was building a reputation as a novelist. I’m not going to add much more, since I plan to read most of his books soon. Although I would like to stress the words at the conclusion of this book, when the author writes, “he (Anthony Berkeley Cox) eloquently demonstrated the immense entertainment value to be derived from murder “judiciously applied”. It is to be hoped that appreciation and enjoyment of this gifted and unjustly overlooked writer will become more widespread in years to come”. We must not forget the importance of his role as a book reviewer, an activity to which he dedicated a significant amount of his time during his last years.

Elusion Aforethought: The Life and Writing of Anthony Berkeley Cox has been reviewed by Kate Jackson at Cross-examining Crime.

About the Author: Malcolm J. Turnbull is a historian, teacher (and sometime folksinger), with particular research interests in the Australian Jewish community, classic English crime-writing – and the 60s folk revival. Recipient of the Isi Leibler Prize at Deakin University for his 1995 Ph.D. thesis (on Judaism in Melbourne), and a nominee for the Mystery Writers of America ‘Edgar’ award for his first book, Elusion Aforethought (1996), he is also author of Victims or Villains (1998), Safe Haven (1999), A Time to Keep (with Werner Graff & Eliot Baskin, 2005) and Onemda ‘With Loving Care’ (2006). Other publications include contributions to the international journals CADS and Clues, the Australian Dictionary of Biography, the Companion to Tasmanian History and the multi-authored monographs A Few from Afar, Carlton: a History and The Australian Jewish Experience. (Source: Warren Fahey’s Australian Folklore Unit)

About Anthony Berkeley Cox: Anthony Berkeley Cox, was a popular British satirical journalist, crime and mystery writer, and literary critic who wrote under the pseudonyms Francis Iles, Anthony Berkeley, and A. Monmouth Platts. He is considered one of the most important and influential crime writers of the Golden Age by authorities such as Haycraft, Symons and Keating, although his figure today is perhaps not well known.

Cox was born in Watford, Hertfordshire, on 5 July 1893, into a wealthy family. His father, Alfred Edward Cox, was a doctor of medicine who gained a certain reputation late in his life as the inventor of an x-ray machine for locating shrapnel in patients during World War I. His mother, Sybil Maud Iles, was an educated and highly intellectual woman, Sybil Iles was one of the first generation of women to study at Oxford in the years before the women’s colleges were admitted to the university. Anthony was the eldest of three children born to Alfred and Sybil Cox. A daughter, Cynthia Cecily, was born in 1897 and a second son, Stephen Henry Johnson, in 1899. All three had unusual academic and artistic talent. Cox was educated at Sherborne School and University College, Oxford. With the outbreak of the First World War, he enlisted, attained the rank of lieutenant with the 7th Northumberland Regiment, was gassed in France and invalided out with his health seriously impaired for the rest of his life. Details about his professional life in the years immediately after the war are somewhat sketchy. As time went by he devoted himself more and more to writing.

Although it is little known, Cox was married twice. The first with Margaret Fearnley Ferrars when he was on leave in London in December 1917. They divorced in 1931 and Margaret Cox remarried. Apparently their breakup was amicable. The second in 1932 with Helen Peters (née MacGregor), former wife of his literary agent, A. D. Peters. No children were born of either of Cox unions although Helen brought her two children by Peters with her. His second marriage broke up in the late 1940s and their parting again appears to have been reasonably amicable.

Cox’s professional writing career began around 1922, writing satirical stories for Punch and other popular publications. His first crime novel, The Layton Court Mystery, was published anonymously in 1925; his popularity convinced him to focus his creative energy on this kind of storytelling. Between 1925 and 1939, he published 14 crime novels under the pseudonym Anthony Berkeley, of which 10 featured the amateur sleuth Roger Sheringham. In the fifth The Poisoned Chocolates Case, a second amateur detective, Ambrose Chitterwick, is also involved, who will feature in two more of his novels. He also published under his real name, A. B. Cox, Mr Priestley’s Problem and The Wintringham Mystery. The latter was written to be serialized in the Daily Mirror. A revised version appeared as Cicely Disappears in 1927, under the pseudonym of A. Monmouth Platts.

Most historians agree that one of Cox’s greatest achievements as a novelist was the first two of the three “inverted novels” he published under the name of Francis Iles. Both Malice Aforethought and Before the Fact are considered masterpieces and had a decisive influence on the realism of post-war crime fiction in Britain. Before the Fact served as the basis for the 1941 film Suspicion directed by Alfred Hitchcock and starring Cary Grant and Joan Fontaine.

In 1930, Berkeley founded the legendary Detection Club in London together with leading practitioners of the genre, such as Gilbert K. Chesterton, Agatha Christie, R. Austin Freeman, Baroness Orczy and Dorothy L. Sayers. In fact, the Crimes Circle in The Poisoned Chocolates Case can rightly be considered a predecessor of the Detection Club in fiction.

After 1939 Cox decided to stop writing fiction for reasons that are still subject to speculation. For the next thirty years his literary output was limited to book reviews for the Sunday Times and the Manchester Guardian. Considered a key figure in the development of crime fiction, Anthony Berkeley Cox died at St Mary’s Hospital, Paddington, on 9 March 1971. On his death certificate his name was mistakenly recorded as Anthony Beverley Cox.

Crime Fiction Bibliography:

  1. The Layton Court Mystery (Herbert Jenkins, 1925) (Published anonymously)
  2. The Wintringham Mystery, by A B Cox (newspaper serial, 1926) revised and republished  as Cicely Disappears (1927) under the pseudonym A. Monmouth Platts
  3. The Wychford Poisoning Case (Collins, 1926) by the author of The Layton Court Mystery
  4. The Vane Mystery aka Roger Sheringham and the Vane Mystery [US title: The Mystery at Lovers’ Cave] (Collins, 1927) by Anthony Berkeley
  5. Mr Priestley’s Problem: An Extravaganza in Crime by A.B. Cox [US title: The Amateur Crime] (Collins, 1927)
  6. Cicely Disappears by A. Monmouth Platts (John Long, 1927) revised version of The Wintringham Mystery, see above.
  7. The Silk Stocking Murders by Anthony Berkeley (Collins, 1928)
  8. The Poisoned Chocolates Case by Anthony Berkeley (Collins, 1929)
  9. The Piccadilly Murder by Anthony Berkeley (Collins, 1929)
  10. Malice Aforethought: The Story of a Commonplace Crime by Francis Iles (Mundamus/Gollancz, 1931)
  11. Top Storey Murder by Anthony Berkeley (Hodder & Stoughton, 1931) aka Top Story Murder
  12. Murder in the Basement by Anthony Berkeley (Hodder & Stoughton, 1932)
  13. Before the Fact by Francis Iles (Gollancz, 1932)
  14. Jumping Jenny by Anthony Berkeley [US title: Dead Mrs. Stratton] (Hodder & Stoughton, 1933)
  15. Panic Party by Anthony Berkeley [US title: Mr Pidgeon’s Island] (Hodder & Stoughton, 1934)
  16. Trial and Error by Anthony Berkeley (Hodder & Stoughton, 1937)
  17. Not to Be Taken by Anthony Berkeley  [US title: A Puzzle in Poison] (Hodder & Stoughton, 1938)
  18. Death in the House by Anthony Berkeley (Hodder & Stoughton, 1939)
  19. As for the Woman, by Francis Iles (Jarrolds, 1939)

The University of Wisconsin Press publicity page

Elusion Aforethought: The Life and Writing of Anthony Berkeley Cox, de Malcolm J. Turnbull

Descripción: Elusion Aforethought proporciona un novedoso y significativo material sobre la obra del novelista policiaco Anthony Berkeley Cox, un popular y prolífico periodista satírico y novelista inglés en el período entre la Primera y la Segunda Guerra Mundial. Cox ha sido considerado uno de los más importantes e influyentes escritores de novela policiaca de la Edad de Oro por autoridades como Haycraft, Symons y Keating, sin embargo, ocupa una posición sorprendentemente ambivalente en la historia del género policiaco.

My opinión: Elusión Aforethought es un libro imprescindible para todo aquel que quiera conocer mejor la carrera profesional de Anthony Berkely Cox. Está dividido en ocho secciones: 1. Introducción, 2. Anthony Berkeley Cox (1893 –1971), 3. A B Cox Humorista, 4. Anthony Berkeley (I) Roger Sheringham, 5. Anthony Berkeley (II) Moresby, Chitterwick y otros , 6. Francis Iles, 7. No ficción. Crímenes reales. Reseñas de Libros y Política, y 8. Conclusión. Además de varios Apéndices Lista de verificación anotada en los libros de A.B. Cox, Notas, Bibliografía e Índice.

Mi principal interés en este libro radica en su biografía, sus novelas policiacas como Anthony Berkeley, sus trabajos como humorista, sus reseñas y conclusiones. Dejaré para otro día sus novelas como Francis Iles. Adjunto a continuación un breve perfil de Anthony Berkeley Cox y una bibliografía. Cox comenzó su carrera como escritor con apuntes humorísticos para Punch, “una publicación periódica humorística”. Contribuyó con unas 60 piezas de humor entre noviembre de 1922 y marzo de 1929, aunque suministró cerca de 200 apuntes y parodias más a otras publicaciones periódicas publicadas con su propio nombre. La mayoría de las piezas fueron compuestas entre 1923 y 1926, momento en el que se estaba ganando una reputación como novelista. No voy a agregar mucho más, ya que proyecto  leer la mayoría de sus libros pronto. Aunque me gustaría enfatizar las palabras en la conclusión de este libro, cuando el autor escribe, “él [Anthony Berkeley Cox] demostró elocuentemente el inmenso valor de entretenimiento que se deriva del asesinato ‘aplicado juiciosamente’. Es de esperar que el aprecio y disfrute de este prodigioso e injustamente ignorado escritor será más generalizado en los años venideros“. No hay que olvidar la importancia de su papel como crítico literarrio, actividad ésta a la que dedicó una parte importante de su tiempo durante sus últimos años.

Acerca del autor: Malcolm J. Turnbull es historiador, profesor (y, en ocasiones, cantante de folk), con intereses de investigación en particular sobre la comunidad judía australiana, la literatura policíaca inglesa clásica y el resurgimiento del folk de los años 60. Ganador del Premio Isi Leibler en la Universidad de Deakin por su tesis doctoral de 1995 (sobre el judaísmo en Melbourne), y nominado al premio ‘Edgar’ de Mystery Writers of America por su primer libro, Elusion Aforethought (1996), también es autor de Victims or Villains (1998), Safe Haven (1999), A Time to Keep (con Werner Graff & Eliot Baskin, 2005) y Onemda ‘With Loving Care’ (2006). Otras publicaciones incluyen contribuciones a las revistas internacionales CADS y Clues, el Australian Dictionary of Biography, el Companion to Tasmanian History y las monografías de varios autores A Few from Afar, Carlton: a History y The Australian Jewish Experience.

Acerca de Anthony Berkeley Cox: Anthony Berkeley Cox, fue un popular periodista satírico, escritor de novelas policiacas y de misterio, y crítico literario británico que escribió bajo los seudónimos de Francis Iles, Anthony Berkeley y A. Monmouth Platts. Está considerado uno de los escritores de novela policiaca más importantes e influyentes del Siglo de Oro por autoridades como Haycraft, Symons y Keating, aunque su figura hoy en día quizás no sea muy conocida.

Cox nació en Watford, Hertfordshire, el 5 de julio de 1893, en el seno de una familia adinerada. Su padre, Alfred Edward Cox, era un m-edico que ganó cierta reputación al final de su vida como inventor de una máquina de rayos X para localizar metralla en pacientes durante la Primera Guerra Mundial. Su madre, Sybil Maud Iles, era una mujer culta y my dotada intelectualmente, Sybil Iles pertenecó a una de las primeras generaciones de mujeres que estudiaron en Oxford en los años anteriores a los que los colegios femeninos fueron admitidos en la universidad. Anthony era el mayor de los tres hijos de Alfred y Sybil Cox. Una hija, Cynthia Cecily, nació en 1897 y un segundo hijo, Stephen Henry Johnson, en 1899. Los tres tenían un talento académico y artístico inusual. Cox se educó en el Sherborne School y en el University College, Oxford. Con el estallido de la Primera Guerra Mundial, se alistó, alcanzó el rango de teniente en el 7º Regimiento de Northumberland, fue gaseado en Francia y quedó inválido con su salud gravemente afectada el resto de su vida. Los detalles sobre su vida profesional en los años inmediatamente posteriores a la guerra son algo vagos. Con el paso del tiempo se dedicó cada vez más a escribir.

Aunque es poco conocido, Cox estuvo casado dos veces. La primera con Margaret Fearnley Ferrars cuando estaba de permiso en Londres en diciembre de 1917. Se divorciaron en 1931 y Margaret Cox se volvió a casar. Al parecer, su ruptura fue amistosa. La segunda en 1932 con Helen Peters (de soltera MacGregor), ex esposa de su agente literario, A. D. Peters. No nacieron hijos de ninguna de las uniones de Cox, aunque Helen aportó a su segundo matrimonio los dos hijos que tuvo con Peters. Su segundo matrimonio se rompió a fines de la década de 1940 y su separación nuevamente parece haber sido razonablemente amistosa.

La carrera de escritor profesional de Cox comenzó alrededor de 1922, escribiendo historias satíricas para Punch y otras publicaciones populares. Su primera novela policiaca, The Layton Court Mystery, se publicó de forma anónima en 1925; su popularidad lo convenció a dedicar su energía creativa en este tipo de narraciones. Entre 1925 y 1939, publicó 14 novelas policiacas bajo el seudónimo de Anthony Berkeley, de las cuales 10 presentaban al detective aficionado Roger Sheringham. En la quinta, El caso de los bombones envenenados, también participa un segundo detective aficionado, Ambrose Chitterwick, que aparecerá en dos novelas más. También publicó con su nombre real, A. B. Cox, Mr Priestley’s Problem y The Wintringham Mystery. Este último fue escrito para ser publicado por entregas en el Daily Mirror. Una versión corregida apareció como Cicely Disappears en 1927, bajo el seudónimo de A. Monmouth Platts.

La mayoría de los historiadores están de acuerdo en que uno de los mayores logros de Cox como novelista fueron las dos primeras de las tres “novelas invertidas” que publicó bajo el nombre de Francis Iles. Tanto Malice Aforethought como Before the Fact se consideran obras maestras y tuvieron una influencia decisiva en el realismo de la novela policiaca de posguerra en Gran Bretaña. Before the Fact sirvió de base para la película Suspicion de 1941 dirigida por Alfred Hitchcock y protagonizada por Cary Grant y Joan Fontaine.

En 1930, Berkeley fundó el legendario Detection Club en Londres junto con destacados novelistas del género, como Gilbert K. Chesterton, Agatha Christie, R. Austin Freeman, Baroness Orczy y Dorothy L. Sayers. De hecho, el Círculo del Crimen en El caso de los bombones envenenados puede considerarse con razón un predecesor del Detection en la ficción.

Después de 1939, Cox decidió dejar de escribir novelas de ficción por razones que aún están sujetas a especulaciones. Durante los siguientes treinta años, su producción literaria se limitó a reseñas de libros para el Sunday Times y el Manchester Guardian. Considerado una figura clave en el desarrollo de la novela policíaca, Anthony Berkeley Cox murió en el St Mary’s Hospital, Paddington, el 9 de marzo de 1971. En su certificado de defunción, su nombre se registró por error como Anthony Beverley Cox.

My Book Notes: The Poisoned Chocolates Case (Revisited and updated on 13/02/2022), 1929 (Roger Sheringham Cases #5) by Anthony Berkeley

Esta entrada es bilingüe, desplazarse hacia abajo para ver la versión en castellano

British Library Publishing, 2016. Format: Kindle edition. File Size: 2627 KB. Print Length: 247 pages. ASIN: B01KIHJMAS. eISBN: 978-0-7123-6424-9. Introduction and new Epilogue by Martin Edwards, 2016. Originally published in 1929 by W. Collins Sons & Co. Ltd.

51ePsaKHWRL._SY346_Book Description: Graham and Joan Bendix have apparently succeeded in making that eighth wonder of the modern world, a happy marriage. And into the middle of it there drops, like a clap of thunder, a box of chocolates.Joan Bendix is killed by a poisoned box of liqueur chocolates that cannot have been intended for her to eat. The police investigation rapidly reaches a dead end. Chief Inspector Moresby calls on Roger Sheringham and his Crimes Circle – six amateur but intrepid detectives – to consider the case. The evidence is laid before the Circle and the members take it in turn to offer a solution. Each is more convincing than the last, slowly filling in the pieces of the puzzle, until the dazzling conclusion. This new edition includes an alternative ending by the Golden Age writer Christianna Brand, as well as a brand new solution devised specially for the British Library by the crime novelist and Golden Age expert Martin Edwards.

My Take: The plot, originally thought as the short story The Avenging Chance’ was then enlarged into the novel The Poisoned Chocolates Case. It revolves around the mysterious death of Joan Bendix. One morning, Sir Eustace Pennefather, a notorious womanizer, receives a box of chocolates at the very exclusive Rainbow Club in London. The letter attached from a large chocolate manufacturing firm, Mason and Sons, wishes to inform him that they are bringing a new brand of liqueur chocolates to market. Would Sir William do them the honour of accepting the box, they would be most grateful if he would let them know his candid opinion of the chocolates. Sir Eustace disapproves of such modern commercial techniques and is about to throw the box away. But Graham Bendix, another club member whom he knows very slightly and with whom he had never before exchange more than a dozen words, had lost a bet with his wife and needs one. Bendix accepts the box that is handed to him by Sir Eustace and takes it home. He gives it to his wife and both try them together after lunch. His wife takes seven and he takes two. A few hours later Joan Beresford is dead, poisoned by nitrobenzene. Mr Beresford falls seriously ill but can be saved. It seems clear that the intended victim was Sir Eustace Pennefather rather than the innocent Mrs Bendix, but Scotland Yard, unable to solve the case, accept the rather unusual suggestion made by Roger Sheringham. They never would have encouraged it, but finally they let him try it, albeit with certain reluctance, since they did not find anything wrong in it. Roger Sheringham’s suggestion was that his Club, the Crimes Circle, should take up the investigation of the case where the authorities, had left it. The so-called Crimes Circle is a private club run by Roger Sheringham himself.

‘It was the intention of the club to acquire eventually thirteen members, but so far only six had succeeded in passing their tests, and these were all present on the evening when this chronicle opens. There was a famous lawyer, a scarcely less famous woman dramatist, a brilliant novelist who ought to have been more famous than she was, the most intelligent (if not the most amiable) of living detective-story writers, Roger Sheringham himself and Mr Ambrose Chitterwick, who was not famous at all, a mild little man of no particular appearance who had been even more surprised at being admitted to this company of personages than they had been at finding him amongst them.’ 

A club that can be rightly considered a fictional predecessor of the Detection Club, formed in 1930 by a group of British mystery writers, including Agatha Christie, Dorothy L. Sayers, Ronald Knox, Freeman Wills Crofts, Arthur Morrison, Hugh Walpole, John Rhode, Jessie Rickard, Baroness Emma Orczy, R. Austin Freeman, G. D. H. Cole, Margaret Cole, E. C. Bentley, Henry Wade, and H. C. Bailey. And in which Anthony Berkeley himself was instrumental in its setting up.

The object of such experiment will be that every club member, working independently, and using whatever method of investigation  each would deemed most appropriate, deductive, inductive or a mixture of both, could come up with a reasoned explanation to the case. For such purpose they will dispose of one week for formulating their own theories and carrying out any investigation they consider necessary. After which  the members will meet again on six consecutive evenings and each one of them will read their papers and present their own conclusions in the order that luck decides next. Each solution will be credible, but the problem is that each one points to a different murderer and the reader will be kept puzzled up to the final pages.

Since this is a third reread, I am not going to repeat here what has already been said before. Suffice is to highlight some of the aspects that I’ve enjoyed the most with each reading. One of its features is the opportunity it provides us to reflect on the genre in general through the continuous references to detective novels. Another characteristic, perhaps even more important, is, as Xavier Lechard underlines, the endless number of possible solutions offered to the reader. Last but not least, it can also be highlighted how, at an early stage in the development of the detective genre, Cox dares to question some of the fundamental pillars on which it was believed to be based. All this, despite a relatively short output, means that we should consider Cox a true innovator and an essential figure in the genre, who should be better known. Highly recommended.

The Poisoned Chocolates Case has been reviewed, among others, by Kerrie Smith at Mysteries in Paradise, Rich Westwood at Past Offences, Karyn Reeves at A Penguin a week, Jon at Golden Age of Detection Wiki, Noah Stewart at Noah’s Archives, dfordoom at Vintage Pop Fictions, Moira Redmond at Clothes in Books, Steve Barge at In Search of the Classic Mystery Novel, Martin Edwards at ‘Do You Write Under Your Own Name?’, Kate Jackson at Cross-Examining Crime, Marcia Muller at Mystery File, Jim Noy at The Invisible Event, Dan at The Reader is Warned, The Green Capsule, Les Blatt at Classic Mysteries, Fiction Fan’s Book Reviews, Xavier Lechard at the Villa Rose, and James Scott Byrnside.

218

(Source: Facsimile Dust Jackets LLC. Collins Detective Novel (UK), 1929)

219

(Source: Facsimile Dust Jackets LLC.Doubleday The Crime Club (USA), 1929)

About the Author: Anthony Berkeley, in full Anthony Berkeley Cox, was a popular British satirical journalist, crime and mystery writer, and literary critic who wrote under the pseudonyms Francis Iles, Anthony Berkeley, and A. Monmouth Platts. He is considered one of the most important and influential crime writers of the Golden Age by authorities such as Haycraft, Symons and Keating, although his figure today is perhaps not well known.

Cox was born in Watford, Hertfordshire, on 5 July 1893, into a wealthy family. His father, Alfred Edward Cox, was a doctor of medicine who gained a certain reputation late in his life as the inventor of an x-ray machine for locating shrapnel in patients during World War I. His mother, Sybil Maud Iles, was an educated and highly intellectual woman, Sybil Iles was one of the first generation of women to study at Oxford in the years before the women’s colleges were admitted to the university. Anthony was the eldest of three children born to Alfred and Sybil Cox. A daughter, Cynthia Cecily, was born in 1897 and a second son, Stephen Henry Johnson, in 1899. All three had unusual academic and artistic talent. Cox was educated at Sherborne School and University College, Oxford. With the outbreak of the First World War, he enlisted, attained the rank of lieutenant with the 7th Northumberland Regiment, was gassed in France and invalided out with his health seriously impaired for the rest of his life. Details about his professional life in the years immediately after the war are somewhat sketchy. As time went by he devoted himself more and more to writing.

Although it is little known, Cox was married twice. The first with Margaret Fearnley Ferrars when he was on leave in London in December 1917. They divorced in 1931 and Margaret Cox remarried. Apparently their breakup was amicable. The second in 1932 with Helen Peters (née MacGregor), former wife of his literary agent, A. D. Peters. No children were born of either of Cox unions although Helen brought her two children by Peters with her. His second marriage broke up in the late 1940s and their parting again appears to have been reasonably amicable.

Cox’s professional writing career began around 1922, writing satirical stories for Punch and other popular publications. His first crime novel, The Layton Court Mystery, was published anonymously in 1925; his popularity convinced him to focus his creative energy on this kind of storytelling. Between 1925 and 1939, he published 14 crime novels under the pseudonym Anthony Berkeley, of which 10 featured the amateur sleuth Roger Sheringham. In the fifth The Poisoned Chocolates Case, a second amateur detective, Ambrose Chitterwick, is also involved, who will feature in two more of his novels. He also published under his real name, A. B. Cox, Mr Priestley’s Problem and The Wintringham Mystery. The latter was written to be serialized in the Daily Mirror. A revised version appeared as Cicely Disappears in 1927, under the pseudonym of A. Monmouth Platts.

Most historians agree that one of Cox’s greatest achievements as a novelist was the first two of the three “inverted novels” he published under the name of Francis Iles. Both Malice Aforethought and Before the Fact are considered masterpieces and had a decisive influence on the realism of post-war crime fiction in Britain. Before the Fact served as the basis for the 1941 film Suspicion directed by Alfred Hitchcock and starring Cary Grant and Joan Fontaine.

In 1930, Berkeley founded the legendary Detection Club in London together with leading practitioners of the genre, such as Gilbert K. Chesterton, Agatha Christie, R. Austin Freeman, Baroness Orczy and Dorothy L. Sayers. In fact, the Crimes Circle in The Poisoned Chocolates Case can rightly be considered a predecessor of the Detection Club in fiction.

After 1939 Cox decided to stop writing fiction for reasons that are still subject to speculation. For the next thirty years his literary output was limited to book reviews for the Sunday Times and the Manchester Guardian. Considered a key figure in the development of crime fiction, Anthony Berkeley Cox died at St Mary’s Hospital, Paddington, on 9 March 1971. On his death certificate his name was mistakenly recorded as Anthony Beverley Cox.

Selected Bibliography:

Roger Sheringham series: The Layton Court Mystery [published anonymously] (1925); The Wychford Poisoning Case (1926); The Silk Stocking Murders (1928); The Poisoned Chocolates Case (1929); The Second Shot (1930); Murder in the Basement (1932); Jumping Jenny aka Dead Mrs. Stratton (1933); Panic Party aka  Mr. Pidgeon’s Island (1934); and The Avenging Chance and Other Mysteries From Roger Sheringham’s Casebook s.s. (2004).

Novels as Francis Iles: Malice Aforethought (1931); Before the Fact (1931).

Other Crime Novels: Cicely Disappears aka The Wintringham Mystery as A. Monmouth Platts (1927); Mr. Priestley’s Problem aka The Amateur Crime as A.B. Cox (1927); The Piccadilly Murder (1929); Trial and Error (1937); Not to Be Taken aka A Puzzle in Poison (1938); and Death in the House (1939).

British Library Publishing publicity page

The Urbane Innovator: Anthony Berkeley, Aka Francis Iles by Martin Edwards

El caso de los bombones envenenados, de Anthony Berkeley

El caso de los bombones envenenadosDescripción del libro: Graham y Joan Bendix aparentemente han tenido éxito en conseguir esa octava maravilla del mundo moderno que es un matrimonio feliz. Y en medio del mismo cae, como un trueno, una caja de bombones. Joan Bendix muere asesinada por una caja de bombones de licor envenenados que no pueden haber estado destinados para que ella se los comiera. La investigación policial llega rápidamente a un callejón sin salida. El inspector jefe Moresby llama a Roger Sheringham y a su Cículo del Crimen, seis detectives aficionados pero intrépidos, para considerar el caso. La evidencia se presenta ante el Círculo y los miembros se turnan para ofrecer una solución. Cada una es más convincente que la anterior, completando lentamente las piezas del rompecabezas, hasta la deslumbrante conclusión. Esta nueva edición incluye un final alternativo de la escritora de la Edad de Oro Christianna Brand, así como una nueva solución ideada especialmente para la Biblioteca Británica por el novelista y experto en la Edad de Oro del género policiaco Martin Edwards.

Mi opinión: La trama, pensada originalmente como el relato breve “El envenenador de Sir Williams”, fue ampliada después hasta convertirse en la novela El caso de los bombones envenenados. Gira en torno a la misteriosa muerte de Joan Bendix. Una mañana, Sir Eustace Pennefather, un destacado mujeriego, recibe una caja de bombones en el muy exclusivo Rainbow Club de Londres. La carta adjunta de una gran empresa fabricante de bombones, Mason e hijos, desea informarle que están lanzando al mercado una nueva marca de bombones de licor. Si Sir William les hiciera el honor de aceptar la caja, estarían muy agradecidos si les hiciera saber su sincera opinión sobre los bombones. Sir Eustace desaprueba estas técnicas comerciales modernas y está a punto de tirar la caja. Pero Graham Bendix, otro miembro del club a quien conoce muy poco y con quien nunca antes había intercambiado más de una docena de palabras, había perdido una apuesta con su esposa y necesita una. Bendix acepta la caja que le entrega Sir Eustace y se la lleva a casa. Se lo da a su mujer y ambos los prueban juntos después del almuerzo. Su mujer toma siete y él toma dos. Pocas horas después, Joan Beresford muere, envenenada con nitrobenceno. Beresford cae gravemente enfermo pero puede salvarse. Parece claro que la víctima prevista era Sir Eustace Pennefather en lugar de la inocente Sra. Bendix, pero Scotland Yard, incapaz de resolver el caso, aceptó la sugerencia bastante inusual hecha por Roger Sheringham. Jamás le habrían animado, pero finalmente dejaron que lo intentara, aunque con cierta desgana, ya que no encontraron nada malo en ello. La sugerencia de Roger Sheringham era que su club, el Cículo del Crimen, retomara la investigación del caso donde las autoridades lo habían dejado. El llamado Círculo del Crimen es un club privado dirigido por el propio Roger Sheringham.

“La intención del club era la de llegar eventualmente a los trece miembros, pero hasta ahora solo seis habían logrado pasar sus pruebas, y todos ellos estaban presentes la noche en que se inicia este relato. Estaban un famoso abogado, una escritora teatral  no menos famosa, una brillante novelista que debería tener más fama de la que ya tenía, el más inteligente, si no el más simpático de los escritores vivos de novelas policíacas, el propio Roger Sheringham y el señor Ambrose Chitterwick, que no era en absoluto famoso, un hombrecillo apacible y sin ningún rasgo particularmente interesante, que se había sorprendido aún más que ellos por haber sido admitido entre estos personajes, de lo que éstos se habian sorprendido por encontrarlo allí.” (mi traducción libre)

Un club que puede considerarse con razón un predecesor ficticio del Detection Club, formado en 1930 por un grupo de escritores de misterio británicos, incluidos Agatha Christie, Dorothy L. Sayers, Ronald Knox, Freeman Wills Crofts, Arthur Morrison, Hugh Walpole, John Rhode, Jessie Rickard, la baronesa Emma Orczy, R. Austin Freeman, GDH Cole, Margaret Cole, EC Bentley, Henry Wade y HC Bailey. Y en el que el propio Anthony Berkeley fue fundamental en su puesta en marcha.

El objeto de dicho experimento será que cada miembro del club, trabajando de forma independiente y utilizando el método de investigación que cada uno considere más adecuado, deductivo, inductivo o una combinación de ambos, pueda llegar a una explicación razonada del caso. Para ello dispondrán de una semana para formular sus propias teorías y realizar las investigaciones que consideren necesarias. Tras lo cual los integrantes se volverán a reunir durante seis noches consecutivas y cada uno de ellos leerá sus ponencias y expondrá sus propias conclusiones en el orden que la suerte decida a continuación. Cada solución será creíble, pero el problema es que cada una apunta a un asesino diferente y el lector se mantendrá desconcertado hasta las páginas finales.

Como esta es una tercera relectura, no voy a repetir aquí lo que ya se ha dicho antes. Basta con destacar algunos de los aspectos que más he disfrutado con cada lectura. Una de sus características es la oportunidad que nos brinda de reflexionar sobre el género en general a través de las continuas referencias a la novela policiaca. Otra característica, quizás aún más importante, es, como subraya Xavier Lechard, el sinfín de posibles soluciones que se ofrecen al lector. Por último, pero no menos importante, también se puede destacar cómo, en una etapa temprana del desarrollo del género policiaco, Cox se atreve a cuestionar algunos de los pilares fundamentales en los que se creía que se basaba. Todo ello, a pesar de una producción relativamente corta, hace que debamos considerar a Cox como un auténtico innovador y una figura imprescindible del género, que debería ser más conocida. Muy recomendable.

Acerca del autor: Anthony Berkeley, cuyo nombre completo era Anthony Berkeley Cox, fue un popular periodista satírico, escritor policiaco y de misterio, y crítico literario británico que escribió bajo los seudónimos de Francis Iles, Anthony Berkeley y A. Monmouth Platts. Está considerado uno de los más importantes e influyentes escritores policiacos de la Edad de Oro por autoridades como Haycraft, Symons y Keating, aunque su figura hoy en dia es quizá poco conocida.

Cox nació en Watford, Hertfordshire, el 5 de julio de 1893, en el seno de una familia ainerada. Su padre, Alfred Edward Cox, era médico y consiguió una cierta reputación al final de su vida como inventor de una máquina de rayos x para localizar restos de metralla en pacientes durante la Primera Guerra Mundial. Su madre, Sybil Maud Iles, fue una mujer culta y muy capacitada intelectualmente, Sybil Iles formó parte de la primera generación de mujeres que estudió en Oxford en los años anteriores a los que los colegios universitarios femeninos fueron admitidos a formar parte de la universidad. Anthony era el mayor de los tres hijos de Alfred y Sybil Cox. Un hija, Cynthia Cecily, nació en 1897 y un segundo hijo varón, Stephen Henry Johnson, en 1899. Los tres tuvieron un talento académico y artístico fuera de lo común. Cox se educó en el Sherborne School y en el University College, de Oxford. Con el estallido de la Primera Guerra Mundial, se alistó, alcanzó el grado de teniente en el Sèptimo Regimiento de Northumberland, fue gaseado en Francia y dado de baja por invalidez con su salud gravemente deteriorada por el resto de su vida. Los detalles sobre su vida profesional en los años inmediatamente posteriores a la guerra son algo imprecisos. Con el paso del tiempo se dedicó cada vez más a escribir.

Aunque es poco conocido, Cox estuvo casado dos veces. La primera con Margaret Fearnley Ferrars cuando estaba de permiso en Londres en diciembre de 1917. Se divorciaron en 1931 y Margaret Cox se volvió a casar. Al parecer, su ruptura fue amistosa. La segunda en 1932 con Helen Peters (de soltera MacGregor), ex esposa de su agente literario, A. D. Peters. No nacieron hijos de ninguna de las uniones de Cox, aunque Helen aportó los dos hijos que tuvo con Peters. Su segundo matrimonio se rompió a fines de la década de 1940 y su separación nuevamente parece haber sido razonablemente amistosa.

La carrera profesional de Cox como escritor comenzó alrededor de 1922, escribiendo relatos satíricos para Punch y otras publicaciones populares. Su primera novela policiaca El misterio de Layton Court, se publicó de forma anónima en 1925; su popularidad le convenció para concentrar su energía creativa en esta clase de relatos. Entre 1925 y 1939, publicó 14 novelas policiacas con el seudónimo de Anthony Berkeley, de las que 10 están protagonizadas por el detective aficionado, Roger Sheringham. En la quinta El caso de los bombones envenenados también interviene un segundo detective aficionado, Ambrose Chitterwick, que protagonizará dos novelas más. Además publicó bajo su nombre verdadero, A. B. Cox, Mr Priestley’s Problem y The Wintringham Mystery. Esta última fue escrita para ser publicada por entregas en el Daily Mirror. Una versión corregida apareció como Cicely Disappears en 1927, bajo el seudónimo de A. Monmouth Platts.

La mayoría de los historiadores se muestran de acuerdo en destacar que uno de los mayores logros de Cox como novelista fueron las dos primeras de las tres “novelas invertidas” que publicó bajo el nombre de Francis Iles. Ambas, Malice Aforethought y Before the Fact, están consideradas obras maestras y tuvieron una influencia decisiva en el realismo de la novela policiaca de posguerra en Gran Bretaña. Before the Fact sirvió de base para la película Sospecha de 1941 dirigida por Alfred Hitchcock y protagonizada por Cary Grant y Joan Fontaine.

En 1930, Berkeley fundó el legendario Detection Club en Londres junto con los más destacados practicantes del género, como Gilbert K. Chesterton, Agatha Christie, R. Austin Freeman, Baroness Orczy y Dorothy L. Sayers. De hecho, el Círculo del Crimen en El caso de los bombones envenenados puede considerarse, con razón, un predecesor del Detection Club en la ficción.

Después de 1939 Cox decidió dejar de escribir novelas por motivos que aún están sujetos a especulaciones. Durante los siguientes treinta años su producción literaria se limitó a la crítica de libros para el Sunday Times y el Manchester Guardian. Considerado una figura clave en el desarrollo de la novela policiaca Anthony Berkeley Cox murió en el St Mary’s Hospital, Paddington, el 9 de marzo de 1971. En su certificado de defunción su nombre se registó erróneamente como Anthony Beverley Cox.

El caso de los bombones envenenados ha sido reseñado, entre otros, por Juan Mari Barasorda en Calibre.38, y Noemí Calabuig Cañestro en Misterios Golden Age.

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